Bilingual Generation

A brand for bilingual kids, built from the language itself

Brand identity

Visual systems

The Bilingual Generation wordmark in cream on teal
Role
Brand designer (freelance)
Timeline
Spring 2023
Team
Founders and education researchers
Platform
Brand identity, app, print, web
I made
The brand from scratch: logo, palette, type, shapes, textures, and UI color tokens
I partnered with
The founders and education researchers
Outcome
One system now carries the Bili app, App Store, partner materials, and bilingual flyers sent home to families

The short version

I created the Bilingual Generation brand from scratch, out of the Spanish language and Latin American folk art.

Most language apps treat Spanish as a subject, not a culture. Bilingual Generation set out to build learning tools for Latine kids that start from who they already are.

The brand includes a logo, palette, type, shapes, and textures, and it now carries everything from the Bili app to flyers sent home to families, in English and Spanish.

The challenge

Learning that feels like home

Most heritage languages in the U.S. are lost by the third generation, and the tools kids use don't help.

Language apps tend to teach Spanish with generic characters and animals, without the culture that comes with it. Kids rarely see themselves in what they read, either: in 2022, only about 11% of new children's books were by Latine authors or illustrators, and fewer than 7% had a Latine main character. Bilingual Generation wanted the opposite: learning that feels like home, for kids ages 2 to 8, their families, and their teachers.

The brand had to feel joyful to a five-year-old, trustworthy to a teacher or district, and specific to Latine culture without becoming a cliché.

Source: Cooperative Children's Book Center, 2022.

RESEARCH

Marks from the language and its folk art

I started with a moodboard sorted by job, not by mood: color, texture, illustration, shapes, heritage and logo.

The references kept pointing to the same idea. Latin American folk art is bold, flat and full of small repeating marks, and Spanish has small marks of its own: the tilde, the accent, the diaeresis.

Then I went country by country across Latin America, collecting the symbols, textiles, food, architecture and folk art each one is known for. Bili's users come from all of these places, so the palette, textures and motifs had to feel familiar to a family from Peru as much as to one from Cuba, without belonging to any single country.

Boards of cultural symbols, textiles and folk art from Latin American countries

Country boards: the cultural symbols, textiles and folk art behind the palette, textures and motifs. Reference images by other artists and photographers.

THE WORDMARK

Three versions, from bouncy to balanced

The wordmark went through three versions.
1.0

Hand-lettered and bouncy

Its mixed capitals felt like a kid's handwriting. I pulled its swoops (the tails of the G, the L and the t) onto the same wave as the app's learning path, so the logo and the product move together. The second "i" in Bilingual became an exclamation mark, a nod to the double punctuation Spanish speakers grow up with, and a shortened "Bil!" became the app mark.

2.0

Simpler letters for new readers

I simplified the letters so they were easier to read, which matters when your readers are just learning to read. The dots of the "i"s became the Language Preservation Project's quotation marks, a quiet tie to the parent organization.

2.1

Every angle matched

In the final version, every terminal (the end of each stroke) is cut to the same few angles, so it still feels hand-made but holds together.

Branding 1.0 → 2.0 → 2.1.

The final Bilingual Generation wordmark with angle guides

2.1: every terminal cut to a shared angle.

The system

A system built to travel beyond Spanish

Every part of the system comes from the language or its folk art, and it's built to flex as the brand grows.
LOGO

A logo that travels

Clean, geometric letters with playful curves, each echoing the angles in the B and G. "Bili," the short version, became the app icon and the app's name. The wordmark flexes with culturally specific motifs, so it can grow beyond Spanish, from an Español (Spanish) version to a Chinese one.

COLOR

A palette named in Spanish

Pulled from Latine folk art: Flamenco, Desierto (desert), Naranja (orange), Selva (jungle), Cielo (sky), Sol (sun), and Arena (sand). For the app, I built tints and shades of each color into a full set of UI tokens for buttons, cards, and surfaces.

The brand palette as tall swatches, Arena, Sol, Flamenco, Selva, Cielo, Naranja, and Desierto, with five skin tones below

Brand colors and skin tones.

A table of UI color tokens for surfaces, containers, outlines, and primary, secondary, tertiary, and error colors

UI tokens for the app.

TYPE

One variable font, 329 languages

Outfit is open source. Bold, geometric letterforms are among the easiest for young children to read, and one variable font keeps the app fast.

The Outfit type specimen with notes on open source, readability, and the variable font, plus the heading and body scale

Outfit, from headings to body text.

SHAPES

Accents, tildes, and dots

Spanish's own marks became the brand's shapes, framing photos and copy as a quiet nod to language learning. They repeat into textures inspired by Central and South American art, with room to add more cultures as the brand grows.

The Bili brand shapes and the textures built from them

Shapes and the textures built from them.

ILLUSTRATION

Bold, naïve, and full of detail

A bold, naïve illustration style, like colored-pencil drawings or construction-paper cutouts, with plenty of white space so cultural details in clothing, food, and places can shine. The style builds on Bili, the mascot. Photography features young Latine learners with their families. A set of skin tones was defined from the start, so every illustration represents the kids using the app.

A grid of bold, cut-paper style illustrations: dancers, a Carnaval sign, a mask, a drummer, cacti, and a parent with a child

The illustration style.

Photo layouts of Latine kids and families framed by brand shapes, with the logo and the line Juntos hablamos, juntos brillamos

Photography in brand layouts.

LAUNCH

App Store screenshots as a seven-frame story

The App Store is where most families meet Bili first.

So I designed the screenshots as a seven-frame story rather than a gallery. Each frame carries one idea, one palette color and the brand's accent shapes, so the set reads as a sequence when you swipe. I designed the iPhone set first, then rebuilt it for iPad. The headlines were written by the Bili team.

Bili App Store screenshot for iPadBili App Store screenshot for iPadBili App Store screenshot for iPadBili App Store screenshot for iPadBili App Store screenshot for iPadBili App Store screenshot for iPadBili App Store screenshot for iPad

App Store screenshots, iPad.

The Bili Google Play feature graphic

Google Play feature graphic.

The live Bili site. Scroll and click around.Open site ↗
thebiliapp.com

THE RESULT

A system the team runs on its own

The real test of a brand system is what happens when the designer isn't in the room.

The Bili team makes its own social posts in Canva, and they still look like the brand: the palette, Outfit, the BG and Bil! marks, the brand shapes and the Bili character. These are the team's designs, not mine. I'm showing them because they prove the system holds up.

Four social posts made by the Bili team

Posts made by the Bili team in Canva using the brand system.

What I learned

Start from what the audience already owns

The accents and punctuation Spanish speakers know by heart made the brand feel familiar before anyone read a word.

A brand is proven when you’re not in the room

The Bili team makes its own posts in Canva, and they still look like Bilingual Generation. That’s the test I design for now.

Build for the next culture, not just this one

Designing the logo and textures to flex meant the brand could grow beyond Spanish without starting over.

Let's Talk

I do my best work where strategy and craft have to meet: a clear idea, a team that cares, and details that hold up under a closer look.

Comment

Sarah

Open to Senior Art Director and Design Lead roles, the occasional freelance project, and good conversations about where creative storytelling is headed.

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